The influx of new music in our moombahsphere is getting a little out of control; just how I like it!  Due to the sonic mayhem being caused by how quickly this genre is growing from an infant into a beast, it’s possible that we have passed over a few shout-outs to some Einstein producers.  Thankfully, our obsession provides you with weekly blasts full of goodies.

In the spirit of Halloween haunt, Sabo’s new remix of Michael Jackson’s “Thriller” caught me completely off guard.  Amazingly, but not for Sabo (since he’s a genius), the funky disco pop feel was retained in this remix, yet still completely moombahtized, and successfully so. Who knew?

MICHAEL JACKSON - Thriller (Sabo’s Moombahton Remix)
Thriller (Sabo’s Moombahton Remix) by djsabo

I remember when prodigies were a rarity; few and far between.  But perhaps that was never so much the case, as much as recognition was not as easily attainable as it is now via social networking and internet fame.  At only 17, Jay Fay has opened for the likes of notorious Drake and Steve Aoki, as well as being heavily supported by favorites Diplo/Mad Decent, and Generation Bass. Uprising at full rage, just like our favorite branch of music, he is definitely one to watch for when considering irreproachable moombahton producers.

SOULJA BOY – All Black Everything (Jay Fay Remix)

JAVIER ESTRADA & BOOGAT – Ta Violento (Jay Fay Remix)

AMAZINGGAIJIN & DJ MOMS – Sabro (Jay Fay Moombahton Remix)

The newest compilation by Pickster slams us with a surplus of beefy tracks that would be enough to fill this entire Monday blast.  Featuring UFO!, Bro Safari, ETC!ETC!, Obeyah, and Jay Fay, to name a few, the whole collection will hit you in the face with it’s low-ass bass and wide spectrum of percussion.

Pickster presents The Rise Of Moombahton Compilation
Pickster presents The Rise Of Moombahton Compilation by El Cuco Recordings

I think by now we have established the ingenuity this dude probably has in just his pinky finger, and should well trust anything he cares to mix in with his own bangers.  His newest giveaway “Uncrushable”, included in this mix, only further supports my statement that Bro Safari is a monstrous producer.

BRO SAFARI – Moombahton Mix Volume 2
Bro Safari – Moombahton Mix Volume 2 [Free Download] by BRO SAFARI

Lastly, my loudest burst of excitement birthed from today’s release of the new Shazalakazoo EP, Bang! Bang!.  Brandishing remixes by Bert on Beats and Sabbo, as well as tracks by Neki Stranac (who is half of this band), this EP takes us to the new wave of Balkaton, and furthers the global journey that moombahton has taken us on.  The culture housed inside these tracks should be inspiring to any artist, and indubitably deserves everyone’s support and attention.  Buy it HERE!

SHAZALAKAZOO – Bang! Bang! EP Teaser (Mixed by Neki Stranac)
Shazalakazoo – Bang! Bang! EP Teaser (Mixed by Neki Stranac) – OUT NOW by djumb

BY: KismyShades

The baddest girl in all of bass music, Ill-Esha, just released her latest tune in the spirit of Halloween. This horrorstep tune raises hell, just as the name suggests. Inspired by the classic horror movie, Hellraiser, Ill-Esha cranks up das crunk by throwing in some of the most gangster synth collages I’ve heard in a very long time. It’s like she took a page out of Dr. Dre’s book and sprinkled some O.G.-Esha all over it. If you aren’t with the Esha-times yet, remember the name because this bad girl from The Bay is taking over the scene one massive tune at a time.

ill esha- HELLRAISER (Halloween Remix)

In fact, I was so inspired by this heavy tunage that I (Klitormix) made a mix-mash of Ill-Esha’s Remix. Sparsed with Antoine Dodson’s “hide your kids, hide your wife, hide your husband” and something resembling Tech N9ne on salvia, this tune should provide you with some Halloween fun. Shit just got weird.

“The only defect is wakin’ up like ‘What happened?’”

Klitormix (ill-esha vs Tech N9ne)- Caribou Lou, The Hellraiser [Halloween Mix]

By: Saro aka Klitormix

Night Access presents the double headliner of Minnesota and San Diego’s own, Vokab Kompany, will be bringing the heat to one of San Diego’s finest Halloween night shows— HalloWeird. From complete opposite sides of the musical spectrum, these two will make the crowd groove and go completely bonkers. Minnesota, a personal favorite, had bass and unearthly synths coursing through my body for days after his monster set at Abstract Festival. Vokab Kompany will jamming to one of their live sets–which if you haven’t seen, is a-freaking-mazing. We are especially amped to see close homie of TheMixster.com, Craig Smoove, on the line-up and hope that he will drop some of his fiiiilthy underground Chicago bass music bangers. We will be raging til 4am, and rounding off the night will be DJ Carlo, Jessie Molloy (Crush Effect), Cheyenne Giles, and Boonie Walker. I couldn’t think of a better way to top off an out-of-this-world Halloween weekend. The Keating Hotel has yet to see and, frankly, feel something this massive. Buy your tickets here.

A sampler platter of the madness we are about to experience:

Shotgun Radio – A Bad Place feat. Mimi Page (Minnesota Remix) (FORTHCOMING SIMPLIFY) by Minnesota

Loud Enough (feat. Vokab Kompany)- Crush Effect

To make this a Halloween for the books, we highly suggest VIP Bottle Service & purchasing a room. For VIP Bottle Service contact VIP@NightAccess.com.

Night Access Facebook Event Page
BUY PRESALE TICKETS

BONUS: MIX EXCLUSIVE GIVEAWAY!!!!
Night Access & TheMixster.com are giving you a chance to win a FREE pair of tickets to the event! Simply “LIKE” both the Night Access & TheMixster.com Facebook fan pages, then enter here for a chance to win!! Winner will be announced on our Facebook fan pages at 12pm on October 31st, 2011 so don’t delay!! It’s painfully simple to enter, so get listed and enter to win now!!!! RAWR.

By: Saro aka Klitormix

One of bass music’s finest, Sugarpill, has been on a constant journey — from playing top 40 tunes in Florida clubs and sweating balls while working in a warehouse to, now, absolutely murdering massive crowds with original firepower. A man who compares his music with the likes of a mongoose is surely on the right path to bass stardom. This glitch-fueled Headtron juggernaut—armed with bass cannons few have seen—will make your booty shake and eyes quake. And get this! He’s coming down to sunny San Diego on Oct. 29^th for what is about to be one of the most Earth-shaking fiascos of the year.

Fortunately, I was able to catch up with the busy producer and discuss forthcoming releases, past experiences, and his insight into the music world. You’ll see that he’s a really down-to-earth and mild-mannered fellow but when he steps onto the stage, he undergoes some sort of Decepticon-like transformation. So y’all need to hide your kids, hide yo wife, and hide your husband cause he’s murkin’ everybody out here!

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TheMixster.com: Although I wasn’t at this year’s Coachella, your set still looked pretty damn amazing. Was the experience of playing at Coachella pivotal as an artist on the up and up or was it just another day in the life of Sugarpill?

Sugarpill: I would say that it was definitely a really important show. There’s a lot of people and a lot of energy when you get all those people together. It was particularly special because I had a lot of my friends on stage with me for that one. For some of the other bigger sets that I’ve played, that hasn’t necessarily been the case just because of the way the stages were set up and who was allowed to be there. There was definitely a lot of energy on stage.

TheMixster.com: Was it particularly different from your Burning Man experience? How would you compare the two?

Sugarpill: Well, at Burning Man people are all over the place and I never really know who I’m going to see at what particular set. But at Coachella, everybody that I knew there stayed close to the DO LAB stage and I just ended up seeing a lot of people concentrated at the same stage.

TheMixster.com: How did you end up starting working with the DO LAB?

Sugarpill: I guess friends of friends mostly. Just kinda within the same social circle in life.

TheMixster.com: In the past, you’ve collaborated with fellow bass music producers Stephan Jacobs and ChrisB. What initially drew you guys together and how have you all influenced each other’s growth?

Sugarpill: Stephan asked me to do a remix for him, about a year and a half ago.  And I guess we got together in the studio because I had some trouble mixing some of it down. So I headed up to his studio and hung out with him for a little while. There was definitely a good energy between him and I in the studio and it just turned into us creating stuff. We shared some tips and tricks and stuff like that and turned it into a song.

Same kinda thing with ChrisB. I think the 3 of us, just like Gladkill and a couple other artists, have this song club thing where you share new stuff you’re working on. There’s people who can be critical and you don’t have to take offense to it. So it’s kinda what we have going and it’s really nice to be able to work off what each other is doing as you go through the process.

TheMixster.com: Do you feel like you need to vibe well with fellow producers out of the studio to be productive while in the studio?

Sugarpill: Sometimes. I think the collaboration is a really interesting thing. It’s kind of more moment to moment sometimes. Sometimes you’ll be vibing really well in the studio and maybe not outside of the studio. I mean, these are like my closest friends so there’s definitely all sorts of actual stuff that goes on between us that’s not, you know, music related. I think it plays into the vibe and how it comes out altogether.

TheMixster.com: I think it’s really cool that the proceeds from your most recent track, Trouble Blind, went to charity. And this wasn’t your first time on the Bass From Above mixtape. Why do you think it’s important to take this donation-based approach instead of simply giving away or selling the track?

Sugarpill: I think it has its place amongst just giving stuff away and also selling some of the stuff. I try and stay balanced on hitting all of those different angles. For Bass From Above Vol. 1, we raised about $1000 for the Japan Earthquake Disaster and for this one [Vol. 2]—I don’t have the exact numbers—but I believe it earned that much in the first couple of days. So it’s just really cool to be able to give back in a way that feels good with the track that didn’t really have a place on anything else.  A lot of times, the compilation stuff just kinda goes off into the wayside and you never really hear about it again but with the Bass From Above you know it’s going with something that’s pretty awesome.

TheMixster.com: Yeah I think it’s a great thing that SubSynthesis is doing. Anyways, you weren’t always Sugarpill. So Evan, what was the worst job you had before starting your production career?

Sugarpill: Umm, worst job. I dunno, I worked at Starbucks for a week. That was pretty bad. Not for any other reason than they get you so hooked on coffee during your shift that on your days off you go in there and have way more coffee than you’d normally want. Before I moved out here, I used to work in a warehouse—a shipping department—with no air conditioning all summer in Florida. It was pretty rough sometimes.

TheMixster.com: What was the turning point in your life when your music career took priority over everything else?

Sugarpill: Music has always been a pretty important part of the things I do. I played in all kinds of different bands and a couple of different instruments. I played bass orchestrally. My passion for music has been around for a long time but I think moving out to CA from living in Florida really made it a lot more viable focus; where I was actually interested in what I was doing, as opposed to playing some things in Florida that were not exactly what I wanted to be doing. But out here, people just really embrace what they hear. It’s pretty exciting and I definitely have a lot more drive off of that kind of feedback.

TheMixster.com: So, your music is special in the sense that you fuse bass with glitch without losing your sense of melody. Has living in LA influenced your direction of sound?

Sugarpill: Definitely. Those were elements that I was trying to go for prior to moving out here, but I didn’t really have the embracive people at the time, like I do here in LA. It’s nice to have the positive feedback that you get from people when you’re doing those things that you want to bring together. It’s just a really powerful way to keep moving forward and to keep doing those things.

TheMixster.com: So where are you from originally? How long have you been living in LA?

Sugarpill: I lived in Florida for 14 years before I moved out here, and I’ve lived in LA for 2 ½ years now.

TheMixster.com: So was it around the time that you moved to LA, when your music career started taking off?

Sugarpill: Yeah. Prior to that, I wasn’t really that interested in putting out original music. Because living in Florida, as far as DJ stuff goes, I was doing a lot better getting booked by playing top 40 things and all sorts of other music to get a gig. But once I got out here, it’s a place where people actually wanted to hear the original stuff more than the jams that everyone else has. I didn’t really share a lot of the original stuff with people prior to coming out here.

TheMixster.com: A question that we ask all of our bass music artists: Is there another way to describe the term “Bro-step” because we hate that term?

Sugarpill: I don’t really like the term either. I don’t like the sweeping generalized terms. I think a lot of people still call it dubstep and I don’t really hear the dub influences in a lot of that music anymore. I don’t think you have to call it bro-step, you kinda know what’s happening when it’s happening, I guess.

TheMixster.com: How do you personally refer to it?

Sugarpill: When it’s like beat on your chest and chainsaw sound I definitely call it bro-step. There’s a lot more to it than that. I don’t necessarily not like that sound either. I don’t like any sound that just happens consistently over and over again for 4 hours. I’m more interested in hearing someone change it up. I definitely flipped back into some stuff that I was playing before, that I guess would be called bro-step now. It’s like that heavier in your face, kind of mediated “end of the world” sound going on there. And it’s cool, definitely. I liked it but I like to change it up too. I don’t like the term Lovestep just as much. Both those terms are not super cool for me.

TheMixster.com: If your music was a type of animal, what type would it be? And Why?

Sugarpill: Oh wow. Maybe like a mongoose combined with a wedding because it kinda gets crazy and then sometimes falls off a cliff.

TheMixster.com: I don’t think I could have put it any better haha.

Sugarpill: Haha

TheMixster.com: If you could collaborate with any 3 artists on the planet, who would they be? And why?

Sugarpill: That’s pretty tough. I’m not sure I would feel comfortable collaborating with my heroes really. I mean there are people that I’d really like to meet. I’m really into fusion jazz sometimes. I’d really like to meet Bill Bruford, who plays drums for ‘King Crimson’ and ‘Yes.’ I’m just really interested into doing poly-rhythmic drum stuff. I’d also really like to meet Tom Jenkins from Squarepusher.

TheMixster.com: In all honesty, what do you expect from the “More Champagne” collaboration between ChrisB. and Gladkill?

Sugarpill: Haha! Umm, I dunno… I’ve experienced More Champagne, so I think they are going to be continuing to do what they do. We’ve convinced them to put a lot of bottles of free champagne on their riders. So, the possibilities are endless there if you’re thinking sexy party.

TheMixster.com: Yeah. Like Steve Aoki style, right? I’m excited to see what those two do.

Sugarpill: Yeah. I think it’s going to be pretty awesome. I mean, I have a lot of fun with it and I think a lot of people do. At Burning Man, they had some pretty epic sets that people were just going crazy for. They’re very excited about it.

TheMixster.com: The style of those two mesh together really well.

Sugarpill: Definitely.

TheMixster.com: Do you have an EP coming out soon?

Sugarpill: I have a lot of new tracks. I haven’t scheduled an EP coming out soon probably because on the next one I’m thinking about releasing a bunch of tracks for free around Christmas. That’s kind of what my plan is right now. I just released one on Simplify Records and I have a tune coming out on the Acid Crunk Compilation from Muti Records and another tune coming out on Muti’s end of the year compilation. The Headtron crew is putting out a compilation that will be out in early January, as well. I think I’ll release a mini-EP with some free tunes, probably as a Christmas present.

TheMixster.com: What direction do you plan on taking your sound on those forthcoming tracks?

Sugarpill: Definitely, I’ve been getting a little more of that melodic pitch thing going on. Some of the bass sounds that I’ve been making have been going for a little more figure and delay-oriented, so it’s either like you’re in space or you’re being squished underwater. So there’s a bunch of newer sounds.

TheMixster.com: If a tourist asked you, what places in LA would you tell them to check out? Or where do you like to spend your free time outside of the studio?

Sugarpill: (Laughs) I spend a lot of time in the studio. I don’t know. When people ask me what to do in LA, it depends on what’s going on that week. Everything is so all over the place with what’s happening week to week. There are some weekends here, as far as going out and doing stuff, where I feel like it’s just like any other city where people are working on stuff. I really like Two Boots Pizza. That place is pretty awesome, in Echo Park.

TheMixster.com: Ok Evan. It was good talking with you. We are looking forward to seeing you down in San Diego at the Kava Lounge on Oct. 29^th. I think it’s going to be one hell of a show.

Sugarpill: I’m pretty excited. I’ve got a lot of new stuff to bring down and try out on y’all!

Catch Evan aka SUGARPILL and the SUBversive SD crew at Kava Lounge this Saturday October 29th.

SUBversive Presents: SUGARPILL (LA) at Kava Lounge | October 29th, 2011
2812 Kettner Blvd, San Diego 92101
21+
Buy Presale tickets Here.

Keep up with Sugarpill here!!
www.sugarpillmusic.com
Sugarpill Facebook fan page
Sugarpill on Twitter
Sugarpill on Soundcloud

By: Saro

Never do I regret living in California, until Moombahton Massive finds itself in the offing.  Deep rooted envy and pining is currently wrestling with my insides as the sixth installment to the biggest OG moombah party on this continent finds itself less than 48 hours away… in Washington DC, nowhere near sunny San Diego!

Started by non other than the don himself Dave Nada, the Massive is home to a plethora of heavy, hot, sweaty, ground-breaking mid-tempo, and has been host to the most dominant names in moombah.  For the unfortunate souls (myself included) that cannot be part of this rapturous event, world-renowned Sabo releases a celebratory mixtape of goodies before each party.  Sure, I wish I could melt into the grime and rump-shakers along with everyone else tomorrow night, but this composition make the loss a lot more tolerable.

Coming from a background rich with cumbia, salsa, and bachata, I cannot express enough the excessive glee I feel when Sabo puts out new material and mixtapes!  It’s true that moombahton does not have to be heavily saturated in Latin rhythm, yet staying true to his nature and style, every track on Sabo’s collection is rooted in Latin and tropical background!

Soothing and settling us in with some swagger right off the jump, the first track is bursting with chopped and wobbly Spanish chants, claps, and double beat shakers.  The perfect melody for some classic Sabo cumbiaton. Dale!

La Candela – (Sabo Moombahton Edit)

Continuing in the same down-played vibe, Pickster’s remix of “You Groove Me” paired with Leah’s breathy vocals is an immaculate pairing to play off the fast-paced percussion and jazzy feel of the piano.

You Groove Me (Pickster Remix Feat. Leah Joy)

This Jon Kwest rework of “Canto Pro Mar” jumps from heavy jungle drums to harmonious moombahsoul, but still keeps it as close to its Brazilian roots as possible.  Do you know how to rumba? You should probably do that now!

Canto Pro Mar (Special ReKwest)

Impregnated with low-pitched bass and tubas, the Brazilian craze continues with Sazon Booya’s edit of ”Ole Bunda” which they have so effortlessly infused with their branded sound of pure Latin grime!

Ole Bunda (Sazon Booya Edit)

Like so much flawless moombahton being released these days, the entire compilation is FREE and available for download HERE courtesy of Mixmag.

Moombahton Massive Vol. 6 by Mixmag

BY: KismyShades

It’s all in the title. And wow, is it incredible.

Hard to believe this will be going on in my backyard this Friday, at Petco Park in San Diego. Deadmau5′s FIRST stadium show EVER.

Holy crap.

Buy tickets here.

POSSIBLE took a pretty incredible video of Deadmau5′s “Professional Griefers” at this year’s Lollapalooza as well.

By: TD

It seems that Deadmau5 and Skrillex have entered into a battle for the ultimate stage setup as both are utilizing mind-blowing new technologies, unleashing raw LED firepower in ways that seem to defy physics. The battle has moved to San Diego, with Skrillex headlining the massive Petco Park only last month, and Deadmau5 stepping up to the plate just in time for Halloween on October 28th. We caught his performance at Outside Lands over summer break, where he was flaunting his new setup in front of the eager and ever-so artsy crowd of San Francisco, a crowd that wholly approved of the progressive visualization at hand. While it may be argued that Deadmau5 has become a somewhat of a mainstream artist, this obviously means that he has had numerous performances around the globe, simply perfecting the art of taking the stage for a live show. And what venue is better suited to a concert of massive proportions than San Diego’s largest baseball stadium, deadmau5′s FIRST stadium performance EVER!? Of course, LED Presents couldn’t stop at hosting just Deadmau5, so Avicii, Feed Me, and Tommy Lee + DJ Aero will all be taking the stage as well, ensuring enough progressive house, dubstep, and trance anthems to keep San Diegans happy for a long, long time.

You better make your move quickly, all GA tickets for the field have sold out. Still available are VIP tickets for 21+ and GA tickets for the stands.

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If you don’t believe what I have to say, leave it to the infamous SD promotion company behind the event, LED Presents, to get you hyped for this Halloween spook-tacular:

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Of course I wouldn’t leave you all without some spooky tunes to get in the mood for good times:

• Deadmau5 feat. Sofi – One Trick Pony
• Feed Me – Pink Lady
• Avicii – Sweet Dreams (Sweeder Dreams Mix)

The countdown to Halloween begins.

By: Spencer Handly

Last week was MASSIVE in our growing baby monster of a moombah world!  So many good tracks had dropped in the blogsphere by Monday night, and that was just the beginning of an epic week!  If you missed it on your radar (though I’m not sure how you could have?!), NADASTROM’s new EP El Baile Diabluma is definitely a breath of intoxicating air, and shows the world exactly why they hold down the crown on the moombah throne and premier spotlight.

If the work of Dave Nada and Matt Nordstrom wasn’t enough to embrace, remixes featuring  major players like Sabo, Munchi, Jen Lasher, and Tittsworth only further entice us by demonstrating the revolutionary direction that these guys clearly had in mind when fabricating this EP.  Flourishing glitched melodies, chopped vocals, tropical/tribal drums, low-key maracas, and never failing sirens and blow horns, each and every track is a little more progressive than the previous.

Words practically fail me when trying to describe the avant-‘gardism that takes place inside the bass walls of these tracks, perfectly demonstrated in “Dusted” featuring Sabo.  Scratchy as if played off vinyl, incorporating brass, and sporadic bursts of smooth, lifting percussion, the vibe that this track exudes showcases the forward-thinking mindset that Nadastrom has in mind for this brand of sound.  I cannot emphasize enough how the beauty of this genre lays in its ability to be morphed into many styles (jumping from hardcore to tropical, to soul).  This EP fully supports the statement that a moombah track does not have to be a banger in order to be mind-blowing!

Music this beautifully crafted and flabbergasting should not come without a price, and yet they gave it out for FREE!! As any follower of this genre knows, Nadastrom is the very embodiment of the moombah realm, and could have unquestionably sold their album on Beatport and dominated the charts!  But despite all their hard work and well earned reverence, the path they took by giving it away has, and will, ensure that it reaches the ears of a wider mass, thus further expanding the moombah community. Show your support by downloading it HERE!

Having seen on various occasions how these dudes murder crowds, do not miss the opportunity to watch them live, especially now while they’re on the Mothership Tour with Skrillex.  The enormity of their musical arsenal is a force to be reckoned with!

Scion A/V Presents: Nadastrom – El Baile Diabluma EP
Scion A/V Presents: Nadastrom – El Baile Diabluma EP by ScionAV

BY: KismyShades

Hosting your own Halloween throw-down or just looking for some hellish tuneage to get into the (evil) spirit of things? Then you’ve come to the right place. Since it’s nearly impossible to top the killer Halloween party mix from last year (Check it out!), I Figure(d) I’d just top off the list with some delightfully devilish tracks.

The mastermind of macabre music (I always avoid alliteration) Figure has a whole album themed around classic scary movies. Monsters of Drumstep Vol.2 comes with an original cast of unholy characters: “The Mummy”, “Boogieman”, “WereWolf”, “Leather Face”, and “Mr. Hyde.” Add some remixes from the likes of The Killabits, Captain Panic!, Gangsta Fun, and Oblivion and yourself have one banging record. This drum n’ bass, drumstep, and dubstep compilation is perfect for a raging house party or full body sound-wave massage. Listen to a preview of all of the songs at BeatPort.

Figure – The Werewolf (@TheKillabits Remix) Clip – Monsters Vol 2 by Figure

Figure – Leather Face – Monsters Vol 2 Out Now by Figure

Figure – Boogie Man – Monsters Vol 2 Out Now by Figure

Figure – Boogie Man (Obilvion Remix) (Clip) – Monsters Vol 2 by Figure

You can mark this off as another reason I love Figure; He has just released a remix of “This is Halloween” from arguably the best claymation movie ever, The Nightmare Before Christmas. Looks like Jack and Sally grew up and got into raving. All I need now is someone to create a “Zombahton” track and my Halloween will be complete. (Til then this selection of BRUJATON will suffice.)

Figure – This is Halloween

By: MadManMcIvor

Cut Copy‘s last stop before attending San Francisco’s Treasure Island Music Festival was completely sold out before the doors even opened (as I’m sure many of you were aware). Turning 4th and B into a sweaty throng of dancing, blow-up doll toting, drunkards, Cut Copy’s dreamy dance-laden alternative rock seemed perfectly suited for San Diego’s energy. As the blue bud’s kept flowing, SD’s own Colour Vision provided intermittent dance mixes between sets and after the encore to keep the crowd on their feet. While security was strict and wouldn’t let me in the photo pit with a photo pass, I managed to snag a couple shots to help remind you of a night that you should never have forgotten (but probably drunkenly did). A huge thanks to Bring on the Bright Lights for making the show happen! Peep the photos on our Facebook page.

Photos and Text by: Spencer Handly